Elbow win Mercury Music Prize

2008 September 10
tags: , ,
by Nigel

I was pleased when I saw that Elbow was nominated for the Mercury Prize.  Despite the band’s consistent critical acclaim, they have never been able to break into the mainstream.  I went to see them at the Leeds Met Union earlier this year, and although it is a nice enough venue it seemed wholly inappropriate to the scale of the music.  I felt privileged to have seen them at such an intimate venue, and suspect that will no longer be the norm for them.

Anyway - I didn’t really expect them to win the Mercury Prize, but, through their latest album, The Seldom Seen Kid, they have.  If you’re just discovering the band, now is a great time to start listening.  Below are my recommendations on where to start.  I’ve also made a last.fm playlist, from where you should be able to play all of these for free.

Without a doubt, my favourite track on that album is Grounds for Divorce; it’s gritty, noisy: fantastic fun.  Also excellent is The Bones Of You.  If you want a more ‘tender’ song, both Mirrorball and The Loneliness Of A Tower Crane Driver are achingly beautiful.

From earlier albums highlights include Great Expectations and The Leaders Of The Free World (from the album of the same name).  Going back to 2001, Newborn manages to be a real treat for the ears, and touchingly warm, despite having the opening line “I’ll be the corpse in your bathtub”.

The band has a rich and varied back-catalogue; this is only a flavour of what’s available.  Go check them out!

4 Comments leave one →
2008 September 10

I’ve just noticed that ‘Newborn’ is unavailable on last.fm - if you want to listen to that you’ll have to hunt it down!

2008 September 10
Jack Nicholson permalink

Nigel,

Couldn’t agree more with your post! By the way, have you seen…

http://news.bbc.co.uk/1/hi/entertainment/7606029.stm

Strange way of doing a new album… releasing your very own official Torrent!

Incidentally, the album is absolutely amazing and if you’re a fan of Coldplay or Radiohead, then this well worth a listen to too, along with Elbow!

2008 September 12

Jack:

That’s very interesting! I’ll have to check it out. It’s also interesting to hear the BPI’s take on it. I doubt that ‘99.9% of cases’ is a statistic he’s quoting there. Moreover, I disagree with the BPI claim that ‘it’s emerging acts that suffer most from illegal file-sharing since they don’t have a large fanbase or touring income to rely on, and they need the investment of music companies at the beginning of their careers’. Rather, they are the ones with the most to potentially gain from the free sharing of their music - if they’re good then it’s the ultimate in viral marketing.

A good example of this was Radiohead’s release of Kid A. There’s a good page on the effect of file-sharing on that release (which I cited in my dissertation) here: Did Napster Take Radiohead’s New Album to Number 1?.

2008 September 12
John Elmes permalink

Although I have not been keen on Elbow for a long time, The Seldom Seen Kid is a great record, and in the Mercury where the gritty realism, ethereality and melancholy are gold dust for judges, it seems a good decision. Plus as with the Oscars, this is more a contest of upsetting the form book, so Radiohead, Last of the Shadow Puppets, Adele and to a lesser extent Estelle - all big sellers - were always likely to come away empty handed. Then by picking an outsider, a quiet band who rarely rock the boat, once again the panel have created their column inches post awards ceremony. It sounds like I am lessening Elbow’s triumph, but I’m not overly impressed. Their track ‘The Fix’ pretty much sums up my argument. Awesome song, Richard Hawley’s vocals/guitar complement Garvey’s depressing wailing (good depressing wailing) and it’s just a great piece of composition and production. However, by using another respected artist and former Mercury nominee, they seem to negate their input. I know that sounds ridiculous and it’s only one song, but I would have liked to see a non-collaborative album win the prize, but not one that is necessarily the biggest seller or the most respected name, like Radiohead and Shadow Puppets. Burial, who to the best of my knowledge is one of the only dubstep artists to get nominated ever, and Laura Marling were my two favourites as well as Alison Krauss & Robert Plant. It’s a shame none of these won it, as yet again the Mercury has left me feeling cold and baffled.

But, good idea to give budding Elbow fans a step in the right direction Nige, because I could definitely see people jumping on the wagon and only buying the Seldom Seen Kid.

Peace

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